Michael Tremblay

PCPA (since 1991):  Adam/Corin, As You Like It; Julius Caesar, Julius Caesar; Harry Bright, Mamma Mia!; Sir John Middleton, Sense and Sensibility; Hastings, Richard III; Ghost/Player King/Priest, Hamlet; Mr. Laurence, Little Women; Professor Callahan, Legally Blonde; Mr. Stopnick, Caroline, or Change; Ross, Macbeth; Father, Ragtime; Leonato, Much Ado About Nothing; Simon Stimson, Our Town; Pirelli, Sweeney Todd; Romain Tournel, A Flea In Her Ear; Oberon/Theseus, A Midsummer Night’s Dream; Captian Bryce, Arcadia; Bert Bratt, How To Succeed In Business Without Really Trying; Kralahome, The King and I; Captian Keller, The Miracle Worker; Edward Rutledge, 1776; King Arthur, Camelot; Dr. Carrasco, Man of La Mancha; Richard Greatham, Hay Fever; Man, Marry Me A Little; Dr, Van Helping, Dracula; King Louis XIII, The Three Muskateers

Other Theatres: Counterpoint Theater Group: John Wilkes Booth, Assasssins; Lompoc Civic Theater: Charles Condomine, Blithe Spirit; San Luis Opera Company: King Melchior, Amahl and the Night Visitors; Assan, The Consul; Betto di Signa, Gianni Schicchi; Los Angeles Musical Theater Company:Count Almaviva The Marriage of Figaro; Penguin Productions LA: Ernst Ludwig, Cabaret

Training:  French UCLA; Music/Voice CSUN; Education CSLA