Elisabeth Weidner

Elisabeth Weidner

PCPA:  Sound Designer: The Sound of Music, The Importance of Being Earnest, The Addams Family, A Gentleman’s Guide to Love & MurderThe Wolves, Freaky Friday, The Hunchback of Notre Dame, Vanya and Sonia and Masha and Spike, Mamma Mia!, Arcadia, Newsies, Lend Me A Tenor The Musical, Beauty and the Beast, The Whipping Man, In The Heights, Shrek the Musical, Cinderella, The Pirates of Penzance, My Fair Lady, Christmas Is Here Again, The Penelopiad, Oklahoma!, Mary Poppins, Spring Awakening, Fiddler on the Roof, Spamalot, Always...Patsy Cline, The Wizard of Oz, Little Women, Legally Blonde, Three Sisters, Romeo and Juliet, A Christmas Carol, The 39 Steps, Hairspray, Caroline, or Change, Pride and Prejudice, Macbeth, Breaking Through (Outreach); Composer: Arcadia, Twelfth Night, The Penelopiad, 36 Views, The Tempest, Invierno, Twelfth Night (Conservatory Repertory)

Broadway:  Funny Girl (Assistant Sound Designer)

Off Broadway: Trevor (Assistant Sound Designer), The Magnificent 7 (Sound Designer)

Other Theatres:  Asolo Repertory Theatre, First Stage, Bike City Theatre Company, The Great American Melodrama, San Luis Obispo Repertory Theatre, Ensemble Theatre, The Star Theatre, The Lawrence Welk Theatre, Oregon Cabaret Theatre.

Other:  Freelance Sound Designer/Composer; sits on the USITT Sound Commission jury for Current Practices and Research in Sound paper/article submissions; Contributing blogger for SoundGirls.org

Training:  BA in Commercial Music, Florida State University

Member:  USA 829 IATSE, ASCAP and TSDCA