John Caird (Book, Direction) is an Honorary Associate Director of the Royal Shakespeare Company,
Principal Guest Director of the Royal Dramatic Theatre, Stockholm and a freelance writer and director of
plays, musicals and operas. His National Theatre productions include Hamlet, Money, Humble Boy, The
Seagull, Stanley, Trelawney of the Wells, Peter Pan and his own Olivier Award-winning version of
Bernstein’s Candide which is now playing in multiple productions world-wide. His recent directorial
credits include Knights’ Tale and Hamlet, both in Tokyo, Don Giovanni at WNO in Cardiff, McQueen at
the Haymarket Theatre, Tosca in Chicago, Houston and LA, Love’s Labour’s Lost at the Stratford Festival
in Canada, La Bohème in San Francisco and Toronto, Parsifal in Chicago, Twelfth Night in Tokyo, and his
own musical Daddy Long Legs Off-Broadway, in Tokyo and all across the U.S. His directorial work for the
RSC has included over 20 productions of Shakespeare as well as classic and new plays, including A
Midsummer Night’s Dream, Romeo and Juliet, The Beggar’s Opera, Twelfth Night, Peter Pan, Our Friends
in the North, Nicholas Nickleby and Les Misérables - the last two productions winning numerous awards
in the West End, Broadway and all around the world. At Dramaten in Stockholm he has directed Romeo
and Juliet, A Midsummer Night’s Dream, Dance of Death, The Tempest, Twelfth Night, Gertrud and The
Merry Wives of Windsor. Other productions include Macbeth at the Almeida Theatre, Becket at the
Haymarket and Song & Dance at the Palace Theatre. For BBC TV, he adapted and directed Henry IV
Parts I and II. John is also the Founder of the Mustardseed Arts and Educational Trust, a UK charity that
raises funds for artistic and educational projects all around the world.
Paul Gordon (Book, Music & Lyrics) was nominated for a 2001 Tony Award for composing the music and
lyrics to the musical Jane Eyre. He won the 2015 Jeff Award for Best New Work for his book, music and
lyrics for Sense and Sensibility, commissioned by Chicago Shakespeare Theatre. He is the recipient of the
2009 Ovation Award for his music and lyrics to Daddy Long Legs which has had productions all over the
world and was nominated for two Drama Desk Awards, an Off-Broadway Alliance Award and three
Outer Critic Circle Awards. Paul has been an advocate for capturing theatre on film while creating new
revenue streams for theatre artists. His company, StreamingMusicals.com, has been on the forefront of
this movement and his musicals Pride and Prejudice, Emma and No One Called Ahead can currently be
streamed on Amazon Prime and other online platforms. Knight’s Tale, written with John Caird, opened
at the Imperial Theatre in Tokyo, 2018 and is slated for its second production in 2021. His other shows
include: Being Earnest, Analog and Vinyl, The Front, Juliet and Romeo, Sleepy Hollow, The Circle,
Ribbit and The Sportswriter. In his former life, Paul was a pop songwriter and wrote several number one
songs. paulgordonmusic.com
Brad Haak (Musical Supervisor). Brad’s Broadway credits include music direction for Disney’s Mary
Poppins, An American in Paris, Elton John’s Lestat, Il Divo - A Musical Affair; and as a pianist: The
Phantom of the Opera, Dirty Rotten Scoundrels and The Full Monty. Brad has conducted national tours of
Disney’s The Lion King and Miss Saigon. Other collaborations with John Caird and composer Paul Gordon
include music supervision and orchestrations for Knight’s Tale (Tokyo, and with the Tokyo Philharmonic),
Daddy Long Legs (Off Broadway, London, Tokyo, Seoul) and Jane Eyre (Tokyo). Other international
credits include Sousatzka (Toronto), An American in Paris (Paris) and Honk! (Singapore and the
Philippines). Highlights of his numerous regional theatre credits include Follies and Sunday in the Park
with George (at Chicago Shakespeare Theatre; Jeff Award for music direction), eight productions at the
famed 10,000-seat outdoor Municipal Theatre of St. Louis, Children of Eden at the Kennedy Center, and
most recently Ragtime at Houston’s Theatre Under the Stars. Brad’s concert work has included
performances with such singers as Audra McDonald, Ashley Brown, Kristin Chenoweth, Heather Hedley
and Sir Paul McCartney. His arrangements and orchestrations have been performed by the Boston and
New York Pops, L.A. Philharmonic and National Symphony at the Kennedy Center. Brad trained at
Northwestern University and is a native of Chicago.
Tyler Milliron (Director of Photography and Editor) is a Creative Director based out of New York City. He
merges extensive experience in Film, Theatre, Painting, Glass Art, and Music with focused, streamlined
business acumen to create Artful solutions in today's media market.
Zach Wilson (Production Art Design) is a designer specializing in theatrical projections. He grew up in
Northern California and has worked on a wide variety of productions. A lover of all and a practitioner of
many aspects of the arts, Zach has worn countless hats throughout his career so far as a projection,
scenic and graphic designer, as well as a performer, technician and editor (to name a few). Although
versed in a wide gamut of design styles, Zach often has a way of bringing a sense of whimsy into his
work, and has been known to whisk an audience off into the story. Zach has a great appreciation for all
art forms, but musical theatre certainly has his heart. www.zachwilson.info
Somie Pak (Costume Design). Despite her penchant for period costumes and her love of theatre and
fashion, costume design did not enter Somie’s life until mid-2014 when she was asked to be the
costume designer for two world premiere plays, Shades of Blue and What Was Lost, presented by
Beautiful Soup Theater. And then, as they so shrewdly say, the rest is history. In 2016, she interned with
the Tony and Academy Award-winning designer Ann Roth on Shuffle Along, or the Making of the Musical
Sensation of 1921 and All That Followed. In 2018, she designed the highly anticipated television pilot,
“Mélange,” directed by Emmy Award-winning director Gary Donatelli and Tony Award-winning producer
Tim Kashani, and starring Morgan Fairchild. In 2019, she was nominated for the Henry Hewes Design
Award by the American Theatre Wing for her design of Mary Stuart. A self-proclaimed nerd and geek,
Somie is a graduate of the University of Michigan and is based in Manhattan. In her spare time, she
enjoys running her cosplay repair center as Nurse Patchit at New York Comic Con, dressing models for
photoshoots and NYFW, dabbling in wardrobe on and off Broadway, and picking out the right sash for
her World Domination poster.
Dena Olivieri (Hair and Makeup Design) is a NYC-based makeup artist for film, television and theater,
and is an alumna of the Make Up For Ever Academy NY and Cinema Makeup School LA. Dena has
studied under some of the most well respected make-up artists in the industry such as Ve Neill, Dany
Sanz, Craig Lindberg, Rod Maxwell, etc. Dena has worked on various TV shows, theater productions,
short/feature films, commercials and live events. Efficient in camera ready makeup as well as specialty
SFX & theatrical styles.
Katherine White (Props Design) is a NYC-based Prop Designer and Food Stylist. Her most recent work
can be seen in Marry Harry and Emma on Streaming Musicals. She has worked with various companies
throughout New York including; New York City Children's Theater, Hunter College, New York University,
Astoria Performing Arts Center, and Queens Theater in the Park. She is delighted to be a part of Estella
Scrooge and is excited to start creating art again!
Natalie Lomonte (Choreography). Recent Collaborations: 2019 Every Woman Biennial (La Mama
Galleria) – Choreographer; 2019 Sentiments of the Shooting Stars (Ailey/Fordham BFA Fall Concert) –
Choreographer; 2020 Goddess Logic (Music Video) – Choreographer; 2020 Iron & Coal (Gerald W. Lynch
Theater) – Director, Choreographer; 2020 Rise from Our Hearts (collaboration with visual artist &
musician, The Soap Gallery, Youngstown, OH) – Choreographer. Current Collaborations: CL Dance
Dimensions (studio, company) – Associate Creative Director. Projects Postponed: Boys Will Be Boys (The
Pond Theater Co.) – Choreographer at 59e59 Theaters, NYC - original dates March-April 2020; Pieces of
the Moon (One Year Lease Theater Co.) – Choreographer at Stages Repertory Theatre, Houston - original
dates August-September 2020.
Tara Rubin Casting (Casting). Broadway: Sing Street, Ain’t Too Proud, King Kong, Dear Evan Hansen,
Aladdin, Phantom of the Opera, The Band’s Visit, Indecent, Jersey Boys, Summer: The Donna Summer
Musical, Prince of Broadway, A Bronx Tale, Les Misérables, Miss Saigon, Cats, Falsettos, School of Rock,
Billy Elliot. Regional: Yale Rep (16 seasons), The Old Globe, Asolo, La Jolla Playhouse, Paper Mill
Playhouse.
Michael Jackowitz, WitzEnd Productions (Producer). Current: Diana (Longacre Theatre/Broadway).
Once on This Island (Tony Award). Recent: Escape to Margaritaville by Jimmy Buffett, Lifespan of a Fact
starring Daniel Radcliffe, Cherry Jones and Bobby Cannavale. Upcoming: The Hawaiian Goddess by Keali’i
Reichel, Patrick Makuakane and Roslyn Catracchia; Poseidon by Jonathan Prince and Andrew Lippa; Dark
of the Moon by Jonathan Prince, Lindy Robbins and Dave Bassett. Past: Tuck Everlasting (Broadway);
Daddy Long Legs (Off-Broadway, Davenport Theater), the first show ever live-streamed from NYC;
Séance on a Wet Afternoon, an opera by Stephen Schwartz (Lincoln Center, Opera Santa Barbara); How
to Succeed in Business Without Really Trying (Broadway) starring Daniel Radcliffe, Darren Criss and Nick
Jonas (Tony Nomination); Pippin (Menier Chocolate Factory, London); The Best Is Yet To Come/The
Music of Cy Coleman (Drama Desk Award); My Fairytale by Stephen Schwartz; My Antonia; It’s Only Life
by John Bucchino, directed by Daisy Prince; and the West Coast Premiere of tick, tick...BOOM! Michael
served as the Musical Theater Liaison for the Harold Prince Musical Theater Program at The Directors
Company in New York (1993) and is a graduate of the Commercial Theater Institute’s Producing Seminar
(1996) in New York. He continues to serve as Rubicon Theatre’s Director of New Work in California. He is
the Founding Partner of WitzEnd Productions, formed in 2013 for the creation of New Work with
partners Marvin Kahan, Jeffrey Grove, Laura Dean-Koch, Anne Towbes and Kevin Surace.
David Bryant, David Bryant Productions (Producer). Past Productions: Broadway: Getting the Band Back
Together (starring Marilu Henner and directed by John Rando), Come From Away (under Michael Alden
Productions), A Time to Kill (based on the novel by John Grisham, his first novel-to-play adaptation and
production with lead producer Daryl Roth), A Tale of Two Cities, the musical. Off Broadway: Daddy Long
Legs, John Caird and Paul Gordon musical, (Drama Desk Award); Wiesenthal (starring Tom Dugan, Drama
Desk and Outer Critics Circle nominations); Lonesome Traveler, the musical (Drama Desk and Outer
Critics Circle nominations). Streaming/Television: Emma, the musical, and Pride and Prejudice, the
musical, both written by Paul Gordon and available through StreamingMusicals.com. Film: Lilly (written
and directed by Rachel Feldman, lead producer J. Todd Harris. Lilly is a dramatic feature film based on
the remarkable life of Lilly Ledbetter, the woman for whom President Obama named his first piece of
legislation - The Lilly Ledbetter Fair Pay Restoration Act. Television: “Noisey Nation,” a digital rap series
competition around the US, partnered with Vice, Viceland, A&E Network and RocNation. Other projects
via Dorian Productions (digital series in development) “Country Soundstage” and “Latin Soundstage.” As
an actor, David performed on Broadway in Amadeus, Sunday in the Park with George and Show Boat. He
starred as the original Marius in the Broadway company of Les Misérables. He also appeared in the Off-
Broadway play, Appear and Show Cause, for which he won the Audelco Award for Best Actor. Spanning
an acting career of over 30 years on stage, film and television, David has had the pleasure of working
with Sir Peter Hall, Sir Ian McKellan, Stephen Sondheim, James Lapine, Sir Trevor Nunn, Bernadette
Peters, Mandy Patinkin, Hal Prince, Frank Langella, Elaine Stritch, John McMartin, Jeremy Northam,
Marissa Haggerty, Vincenzo Natali, among others. He can be heard on the original Broadway recordings
of Les Misérables and the revival of Hal Prince’s Show Boat.
Michael Alden (Producer). Broadway: Come From Away, Disgraced (Pulitzer Prize 2013), Grey Gardens,
Bridge & Tunnel on Broadway by and with Sarah Jones (2006 Special Tony Award). West End: Come
From Away (2019 Olivier for Best Musical), David Seidler’s original play, The King’s Speech and the multi-
award winning Bat Boy the Musical. Off-Broadway: Not That Jewish, Becoming Dr. Ruth, Spalding Gray:
Stories Left to Tell, Sarah Jones’ Bridge & Tunnel, Bat Boy the Musical, Save It For The Stage: The Life Of
Reilly, written and starring Tony Award winner Charles Nelson Reilly. Film: UnZipped, Just Cause, The
Zookeeper, Kissing Jessica Stein and My Beautiful Stutter. In Development: feature length documentaries
When Reagan Killed Roosevelt, Just Say Yo! and the supernatural feature film, Cursed.
www.MichaelAldenProductions.com
The three-year-old Streaming Musicals is dedicated to presenting new, original musical theatre content,
bringing live theatre to international audiences. The productions are filmed on theatrical and sound
stages in high definition video and sound. Streaming Musicals also supports the creative artists who
provide the site’s content with a revolutionary profit-sharing model.
Streaming Musicals is made up of a group of artists who want to make it easier for audiences to watch
musicals and plays. They do it because they love theatre and want to share it with the world. The
company captures the magic of theatre on film and bring it directly to viewer’s devices. The company
focuses on storytelling, character, and music. The company has also pioneered revolutionary new profitsharing
models that support the artists. StreamingMusicals.com.